From original to the copy Erich Tremmel, Viviana Sofronitsky, Paul McNulty   March 2011 Piano Bulletin, Netherlands The German Liszt town Weimar, from June to October 2011, will be staging an exhibition "Liszt, a European in Thuringia“. The most important part of this event will be the exhibition ‘Kosmos Klavier'. Spread over several rooms of the Grand Duke Palais, it will expose pianos from the Klassik S... More...

Welcome once again to Bratislava. What pianos are you bringing? (P.McNulty) Stein 1788, Walter 1802, Graf 1819 and Pleyel 1830. Please tell us what you think is the reason for the growing interest in the fortepiano? More precisely - what can this instrument do for the player and the audience? (V.Sofronitsky) I believe that the main attraction for musicians and the public alike is how well the fortepiano plays music by composers who were ... More...

Муж, жена и четыре рояля Автор: Наталья Лебедева 1 ноября 2010 («Вести Сегодня Плюс» № 67) Тоненькая, изящная пианистка Вивиана Софроницкая, в своих развевающихся концертных одеждах, как птичка, летала по сцене между четырьмя роялями, ... More...

 Вивиана Софроницкая в Латвии исполнит Шопена на копии рояля эпохи этого композитора В Большой гильдии 24 октября пройдет во всех отношениях необычный и удивительный концерт. Пианистка Вивиана Софроницкая (на фото) будет демонстрировать ... More...

Любимые фортепиано Моцарта, Бетховена и Шопена   Дебютное турне по Латвии совершает пианистка Вивиана Софроницкая. Вместе с ней путешествуют четыре фортепиано - копии исторических музыкальных инструментов из мастерской Пола Мак-Налти. ... More...

August 2010 “Courrier Picard” France « Paul McNulty, orfèvre du piano-forte » by Vincent Herve In French More...

Публикация в журнале «Piano форум» №2, 2010 Первая в мире копия любимого рояля Шопена «Плейел» 1830, изготовленная в 2009 году Полом МакНалти в сентябре будет впервые представлена публике. Инструмент прозвучит в концертах варшавского ... More...

Harpsichord & fortepiano magazin (UK) (Volum 14, No.2)   Introduction to the making of Pleyel By Paul McNulty Two years ago our workshop accepted an order from the Warsaw Chamber Opera for a piano, which, according to our suggestion, might be suitable for the piano and orchestra works of Chopin. To this, end, we looked for an early Pleyel, since the alternative, Fryderyk Buchholtz, Chopin's Warsaw builder, had not been ... More...

PAUL MCNULTY www.pianosfera.com Intervista a Paul McNulty, a proposito della recente costruzione del pianoforte da concerto Pleyel n. 1555 (1830 circa) Signor McNulty, le sue copie dei grandi pianoforti viennesi della fine del XIII e dell'inizio del XIX secolo (Stein, Walter e Graf) sono famosi in tutto il mondo; cosa l'ha tanto attratta nel Pleyel da convincerla ad accettare la scommessa di costruire uno strumento ... More...

earlymusic.pl The talk with fortepiano maker Paul McNulty and pianist Viviana Sofronitsky about historical fortepianos and their copies. KACPER Miklaszewski: - How many copies of pianoforte from the end of the eighteenth century to today are on the concert podiums all over the world? PAUL McNulty - coming from my workshop are around one and half hundreds, I think that all the other makers built twice as much, maybe three hundred ... More...